Books:
Theatre: Its Art and
Craft: Fifth Edition,
co-author of 5th ed. (New York: Roman and
Littlefield, 2009).
Theatre: Its Art and
Craft: Fifth Edition,
co-author of 5th ed. (San Diego: Collegiate Press,
2003).
Women In American Musical Theatre:
Essays on Composers, Lyricists, Librettists, Arrangers, Choreographers,
Designers, Directors, Producers and Performance Artists, contributed
article on entitled “From Revolution to Revelation: Women Performance Artists in American Music
Theatre” (McFarland Press, 2008).
Articles/Contributions:
A Thousand Universes – Ziyi Zhang in
Xiaogang Feng’s Ye yan” in Borrowers and
Lenders: The Journal of Shakespeare and Appropriation, December 2009.
“Another Terrain: Theatre Nohgaku’s Pine Barrens,” Theatre
Topics, Vol. 18:1, March 2008.
Reviews
of North Carolina Shakespeare, High Point
Enterprise (newspaper), October 4 (Twelfth Night), October 11 (Othello),
and December 5 (A Christmas Carol),
2004.
“Southern Discomfort,”
American Theatre, January 2004.
“Memories of the
Future: Technology and the Body in dumb
type’s memorandum,” PAJ
(Performing Arts Journal), MIT Press, Vol. 25-1, 2003, pp. 7-20.
“Noise and Nudity:
Kyoto’s dumb type,” TheatreForum
International Theatre Journal, December 2000.
Review of Laurie
Anderson's Songs and Stories from Moby
Dick, Theatre Journal,
December 1999.
"Copyright
Infringement: The Cult of Originality Goes Bust?" in Interface (a national multi-media/music magazine), Version 14:
36-40.
"The
Reason I've Been Talking About All of These Dead People: Cultural Resistance in
Laurie Anderson's Nerve Bible” in Journal
of Dramatic Theory and Criticism (December 1998): 161-175.
Review of HOUSE/LIGHTS by The Wooster Group at
Museum of Contemporary Art (Chicago)," Theatre Journal (October 1998): 380-381.
Biographies:
Dudley Digges, Tyrone Power, Sr., and Tyrone Power, Jr.,
"Laurie Anderson and the Politics of
Performance." Postmodern Culture
(May 1994), Vol. 4:3.
Editorial
intern/First-level reader, Theatre Topics,
1993-1994, ongoing reader since.
Review
of the Sue Ellen Case/Philip Brett/ Susan L. Foster collection, Cruising the Performative: Interventions
into the Representation of Ethnicity, Theatre
Studies, 1997.
Review
of Barbara Horn's Ellen Stewart and LaMama, Theatre Studies, 1995.
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